Drawn from the heart, a memoir by Ron Brooks
Allen and Unwin, 2010. ISBN 978 1 742371559.
All ages. Autobiography. Highly recommended. Some books are impossible
to put down. This is one. The frank and lucid telling of events in his
life as an illustrator is mesmerizing, as Brooks makes the slog of
finding a niche for himself in the publishing industry a fascinating
insight into the unseen backdrop to the books we read. Having always
loved John Brown Rose and the midnight cat, I was fascinated to see the
first drawings and read of the places which gave Brooks his inspiration
for the setting. Living with his grandparents when he went to a local
school to study art, the sense of that house comes through many of the
stories, John Brown being just one.
The struggles Brooks made to study art are fascinating in themselves,
as art was seen as a Cinderella subject and so he had to fight to be
able to study on his chosen field. Going on to college meant, as for
many people in the 60's and 70's, doing a teaching course to be able to
study art, and so parallel teaching with freelance art work. Picking up
work where he could, Brooks was in the right place meeting several
people who would mentor him through the early years while establishing
himself. Haworth Bartram of Childerset, Jenny Wagner, Pat Thomas of
Macmillan, Albert Ullin of The Little Bookroom, Peter Pavey amongst
many others were members of his network.
Not only are we lucky enough to get snippets of each story, thus
rekindling time spent with old friends, but Brooks goes into details
about his choices for his illustrative techniques and reprises the
absolutely engrossing reasons behind each decision made. It impels the
reader to grab hold of one of the finished books and relish it all over
again, but this time with greater insight from Brooks' writing. Some
first draft illustrations too are reproduced showing not only the range
of this man's abilities but the thought processes her went through in
illustrating a new book. Some of the criticisms of his work are also
included, showing that not all was rosy in the work that he did, and I
laughed out loud at the reviews reproduced from English, American and
German reviewers about John Brown, Rose and the Midnight Cat.
A treat for all, this will not only inform those in the field, and
endear those already in love with his work, but will create a new
audience eager to search out his illustrations for themselves. The only
thing I missed was an index.
Fran Knight