My life as a hashtag by Gabrielle Williams
Allen and Unwin, 2017. ISBN 9781760113681
(Age: 14+) Highly recommended. This is a novel that takes adults
into the world of adolescents, firmly and deliberately embedding
them in the unknown aspects of their world and plummeting them into
the deeply emotional world of adolescence. Marie Claude, or 'MC', is
unexpectedly not invited to her best friend's party, an unthinkable
event. It seems that the boy she liked is 'with' her best friend
too, provoking more nastiness and venting. In response, MC goes to
various internet personal rant sites, like Tindr, Snapchat, and
Facebook, where she thoroughly and completely bags her best friend.
Her online voice is not really hers but, as an everyday teenager in
Australia, she is astonished by the power of her rant, and her
sudden achievement of a global audience. Plummeting the reader into
this post-modern world, we are aware that Williams deliberately
shocks her protagonist by making her suddenly and frighteningly
aware of the huge potential for worldwide recognition of an
individual when her posts 'go viral' internationally and she becomes
a hit for her virulent bagging of her friend. Her nastiness is
rewarded by those who champion this kind of bagging, and the troll
attacks begin too. This of course, is not what she expected, and the
devastation it brings plummets her into a deep depression that
reverberates with the understanding of the power of this medium.
Ostracized by her friends, her school and, she feels, the world, she
is terrifyingly alone except for the online champions of her
nastiness.
MC has also been coping with her parents' life choices and this has
caused her a great deal of angst. Things do improve, but this modern
fable is a tremendously powerful 'I told you so' moment for a young
woman who could not have imagined the effect of those nasty posts.
This is a strong, modern, credible and very well-constructed
narrative that carries a chilling warning for the power of the
internet in the modern world. It is most suitable for older
adolescents as it is most disconcerting in Williams' revelation of
the capacity of one individual to achieve a worldwide audience that
seemed to be simply waiting for such vitriol.
Elizabeth Bondar