The Chimes by Anna Smaill
Sceptre: Hodder & Stoughton, 2015. ISBN: 9781444794533
(Age: 15+) Music. Dystopian fiction. In one word: unusual.
This is a book like no other, or at least any that I've read. Highly
experimental (and ironic) The Chimes is set in a futuristic world
where society has done away with visual knowledge and replaced it
with aural. This is a difficult concept to grasp and so I would only
recommend it to readers of experimental fiction or those familiar
with musical terms and concepts.
Music is the way of things and the written word has long since been
forbidden. The story follows Simon, recently orphaned and alone in
London, as he struggles to remember what his mother told him. He has
only the memories that he can carry, but will that be enough to see
him through? Seemingly by accident Simon is drawn to the Strand,
chasing a mysterious silence which he later learns is the Lady.
There he meets Lucien, a blind boy and the leader of a pact. With
nothing left to do Simon joins him in order to harvest the
mysterious mettle. He quickly proves himself as an excellent runner.
He has a gift for finding the Lady's song and also, it seems, for
keeping memory. Challenged at every turn by Lucien, Simon's
connection with the other boy grows, putting him in a danger he can
hardly fathom. With Chimes tugging away his memories will Simon have
the power to resist long enough to help Lucien?
Without knowledge of musical terms and concepts this book is utterly
confusing, almost as if it contains a whole other language.
Deliberate use of close words such as mettle/ metal and
blasphony/blasphemy, makes the world both familiar and unfamiliar at
the same time which only adds to the readers confusion.
Kayla Gaskell