The Forsaken by Lisa M Stasse
Orchard Books, 2012. ISBN: 9781408318805.
(Age: 14+) With an embedded sticker proclaiming, 'If you love The
Hunger
Games read this!', The Forsaken is very clear about
its target
audience.
We are in a future world where North America has joined with Canada
and
Mexico to form a United Northern Alliance (UNA) ruled by a
benevolent
dictator, Minister Harka. The action soon kicks in; we are given a
brief glimpse of a controlling society before being told that once a
year, young people of 16 are given a test. If they fail they are
relocated to an island, ostensibly a gaol, called Prison Island
Alpha.
In only a couple more pages our seemingly placid and cooperative
protagonist is whisked off to the prison and must survive by her
wits
alone.
Alenna is a thoughtful narrator. We have access to her every doubt,
suspicion, and triumph. It sometimes seemed too much was being
explained, analysed, and explored. The plot could have been tighter,
although I appreciate some teenagers enjoy extra details and more
explanation .
Mysteries are set in place, enemies and friends abound, and the
reckless but undeniably attractive Liam seems to have a connection
with
Alenna she finds hard to resist. Many of the secondary characters
struggle to develop authentically. Gadya, the girl who saves and
befriends Alenna, is a moody thing - often in turns angry, snarky,
then
friendly, and of course jealous of the growing friendship between
Alenna and Liam. Stasse has no qualms about killing off characters
we've come to know, which is meant to make Alenna's situation more
dangerous and tense, but ends up seeming unnecessarily violent. Kids
appear and disappear, motives are muddled and unresolved, and the
big
reveal is less than impressive.
The Forsaken sets itself up for a sequel, maybe even more.
I'm
not sure
who will read it. It's a little too cerebral for action fans, and a
little too action packed for romance fans. I'm not sure it knows
what
it wants to be. Themes include resistance movements, dystopian
governments, and orphans.
Trisha Buckley