The Paris seamstress by Natasha Lester
Hachette, 2018. ISBN 9780733640001
(Age: 16+) Recommended. In 1940, young Parisian Estella Bissette finds herself unwittingly
drawn to help a dying man, and becomes the courier of secret plans
to the French resistance. She passes them to a dark mysterious
stranger, a spy, in an encounter that will change the course
of her life. Because of her actions, she has to leave France, and
finds herself on the last ship to New York, an escape route
available to her due to American birth papers that her mother has
kept secret and only now reveals. Estella has to leave her mother
behind and set sail to start a new life in a foreign land. She wants
to carve a career for herself as seamstress and designer with the
help of her friends Sam, a cutter at a fashion house, and Janie, an
adventurous Australian model.
In 2015, young Australian Fabienne Bissette attends the New York
exhibition of her grandmother's fashion line Stella Designs. She
also has a chance encounter with a two people she feels strongly
attracted to. Somehow the lives of Estella and Fabienne are
intermeshed with secrets that people have kept buried until it is
almost too late.
The story is one of dark secrets and family shame, but also of drive
and achievement by strong female characters, set in the context of a
burgeoning fashion industry in America during the war and post-war
years. The historical background has clearly been thoroughly
researched and author Natasha Lester, previously a marketing
executive for L'Oreal, shows her inside experience of the fashion
world and her knowledge of fashion history. Also, her intimate
knowledge of those iconic cities, Paris and New York, shines
throughout the novel. Less detail is provided about the third city
in the story, Sydney, but it is refreshing to read a historical
novel set in Europe and America with Australian characters leading
the story.
The novel maintained my interest throughout with its mix of romance,
war history, fashion world, and mystery. It would appeal to readers
of historical fiction, but especially to those interested in
fashion.
Helen Eddy