Flora's war by Pamela Rushby
Ford St, 2013. ISBN 978 1 921445 98 1.
(Age: 11+) Highly recommended. World War One. Egypt. ANZAC. It is
excavation season along the Nile. The team from the USA, headed by
Dr Travers, accompanied by his wife and daughter, Gwen has arrived,
meeting their Australian friend, Mr Wentworth with his daughter
Flora, now his assistant. Both girls are sixteen, and the first few
months of Cairo are a heady mix of dressmakers, balls, dinner
engagements, learning to drive the new motorcar. But war is
approaching. Other excavation teams have not come this year, it is
1914, and men have been called to serve elsewhere.
The girls are asked to volunteer for the recreation hut established
by Lady Bellamy, and become involved with talking to the soldiers,
particularly the Australians, from the huge camp near the Sphinx.
They write letters for the men, visit them in hospital where they
languish with malaria and measles, take groups to the excavations.
Moving their accommodation when their hotel is taken to be a
hospital is the first sign that something more significant is about
to happen. Their quiet existence is over. It is April 1915.
Rushby builds the setting meticulously. The girls are proud of
themselves as modern and forward thinking at a time when most girls
of their age and class would have been heavily chaperoned and headed
for marriage with someone known to the family. Egypt is a living
entity in the book, the detail of the excavations and the Ancient
Kingdoms a constant backdrop to the unfolding tale of this little
appreciated aspect of the Gallipoli story.
The details of the war will readily hold the readers' attention. We
are plunged like Gwen and Flora into the worst imaginable results of
the Gallipoli campaign. The girls are asked to drive the wounded to
the various hospitals in Cairo, seeing for themselves the pitiable
end point of the doomed invasion of the Dardanelles.
The ease with which Rushby introduces her themes is astonishing. The
girls' innocence is sorely tested and their work during the
Gallipoli campaign an underrepresented one. I am in awe of the
amount of information skillfully woven into the story, and the
presentation of a group of women we hear little of.
Fran Knight